Trefoil-shaped pendant loop on top and bottom, and book clasp.Īs in the scenario described for the assemblage of these pendant miniature books (see no. When opened, the book reveals two portraits, probably of a husband and wife, wearing seventeenth-century dress. The scenes are in gold against a red background. The front cover of the book is set with a plaque depicting Moses receiving the Law in verre églomisé, and the back cover shows the Sacrifice of Abraham. Gilded silver pendant in book form with hinged, lid, corded wire surround, and engraved spine. Weight 13.2 grams dimensions 42 × 25 × 12 mm opens to 40 mm One of the key features of our Venice Jewelry. The collection draws inspiration from the city's ornate architecture and grand art, creating a sense of opulence and luxury that is reminiscent of the Baroque era. This pendant is a part of our Venice collection, a tribute to the Baroque style of Venice during the 17th century. The set is designed to suit any occasion, whether it's a formal event or a special celebration. The pendant has a matching ring and earrings that complement each other perfectly, allowing you to complete your look with a cohesive and coordinated style. The contrast between the warm tones of the rose gold and the pristine white enamel creates a harmonious balance, making it a truly eye-catching piece of jewelry. ![]() The pendant features a captivating design with straight gold lines on the pristine white enamel surface, adding a touch of geometric flair to the piece. This stunning pendant exudes elegance and sophistication, perfect for any special occasion. Introducing a Cushion-Cut pendant crafted in luxurious 18K rose gold, adorned with exquisite white enamel and featuring a 1.01 carat champagne color cushion cut diamond. Such pieces were particularly prized by the Medici and Lorraine families, many of which can now be seen at the National Archeological Museum in Florence. Although they were often elaborately mounted for display alone, cameos were also frequently worn as pendants, surrounded by enameled and stone-set gold frames. A large Baroque pearl suspended from an enamel dragon finishes the design, which embodies the opulence and theatricality of jewels from the Renaissance age.Ĭameos and intaglios were highly popular amongst wealthy connoisseurs in Renaissance Italy, and owning the finest pieces was the privilege of princes. A second, smaller cameo is set at the top of the pendant, while a myriad of multi-colored gems, pearls and enamel adorns the 18K gold setting. The carver brilliantly uses the natural layers of the stone to achieve the illusion of shadow and musculature on the figures. ![]() The central flaming altar is flanked by two figures preparing to sacrifice a ram, while a figure in a lion skin blowing horns stands in the left corner. It likely dates to the early 17th century and features a sacrificial scene inspired by the Greco-Roman era. The cameo at the center of this exceptional pendant is a stunning example of the art of gem engraving during the Renaissance.
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